Three Generations of Artistry: Brewer Family Exhibition Brings Famed WWII Painting, Luminous Landscapes

BrewerSentinelofFreedom
“Sentinel of Freedom”

“A Legacy of Brewers” is now open in the West Gallery, featuring works by three generations of Brewer painters. Some of the paintings have not been on public display for twenty years. Others have never been available to the public at all. The most famous painting, Adrian Brewer’s “Sentinel of Freedom,” is on loan from the Naval Academy in Annapolis, Maryland. This celebrated depiction of the American flag soared to popularity after its creation in 1941 and was used countless times as a patriotic emblem during and after WWII.

The Brewers contributed their significant talent to nurture the art scene in Arkansas in the 1930s. Nicholas (known as ‘N.R.’) and his son Adrian painted striking landscapes depicting southwestern states as well as Arkansas scenes. Edwin, the youngest, showed stylistic variety in his work as well as a more contemporary edge.

The three Brewers’ lush paintings, usually kept out of public view in private collections, will be exhibited together thanks to collaboration among Adrian’s grandsons, Larry and Lou Graham, and a number of other collectors who have loaned paintings to the Butler Center Galleries.

Viewers will be able to see common elements in the Brewers’ work as well as how trends in the art world may have influenced their stylistic differences and choice of subjects.

BrewerNWaterfront
by N.R. Brewer

Nicholas ‘N.R.’ Brewer, the first generation painter, was known for romantic, moody landscapes as well as his portraits. Described by those who knew him as “grandiose,” and “larger than life,” N.R. had six sons. Three of them showed artistic talent, but Adrian was the one who inherited his father’s mantle and brought the family legacy to new heights. There was reportedly some rivalry between father and son after Adrian won a Texas art competition they had both entered, but they patched up their differences eventually.

BrewerAdrianMesaSky
by Adrian Brewer

Adrian’s work often shows brighter colors and sharper relief. His expert use of ‘raking light’ makes many of his landscapes appear to glow from within.  Adrian completed many southwestern landscapes. When Adrian was offered a commission to paint Franklin Delano Roosevelt, he instead gave the commission to his father N.R., who had always wanted to paint a president.

Adrian founded a teaching art studio in 1932 in downtown Little Rock, where he spent time with famed Arkansas poet John Gould Fletcher as guests played violin, recited poetry, or listened to Josef Rosenberg play the piano. The Brewers also assisted in the establishment of the Little Rock art community.

BrewerEdStreetScene
by Edwin Brewer

Youngest of the line was Edwin Brewer, who moved one step farther from the realistic landscapes of his father and grandfather. In addition to impressionistic scenes like the one shown here, Edwin’s work in the show includes black and white lithographs of Vietnam as well as one completely abstract painting.

There are some fascinating details in the life of the Brewer family that can only be imagined, even with the insightful commentary offered by Adrian Brewer’s grandsons Larry Graham and Lou Graham. Those details add to the human story for the thoughtful visitor to the exhibition.

Only one of N.R.’s sons became a celebrated artist, even though two of the other five sons tried their hands at art or craft.

Edwin had a twin brother named Adrian Jr., who finished only one painting before abandoning art in favor of hunting and outdoor pursuits.

One is left to wonder whether the sons of this family chose their careers from nature or from nurture. The talent may have been present in the genes, but it only blossomed in a few of the Brewers.

Were the fathers tender with their sons’ youthful work, as the boys grew up surrounded by paintings in art studios? Did adult hands guide young hands on brushes, and did fathers praise promising efforts? Or did N.R. and Adrian, both known for their passionate artistic temperaments, ever critique their sons harshly?

We may never get that glimpse of fathers and sons behind closed studio doors, but the paintings give us at least some idea of the rich artistic environment that nurtured these considerable talents.

The Brewer paintings are popular with collectors and have sparked an active collector community. “A Legacy of Brewers” opened at the Butler Center Gallery West on July 13 and will remain on view through October 27.

 

The Butler Center is grateful to Larry Graham and Lou Graham, grandsons of Adrian Brewer, for their insightful commentary on the lives of the Brewers in an interview conducted at the Butler Center on July 12, 2018. Their comments are one source for this article.

Also consulted: Adrian Brewer: Arkansas Artist. Text by Jolynda Halinski with the assistance of Betty Brewer Rice and the family of Adrian Brewer. Department of Art, University of Arkansas at Little Rock, 1996.

 

Survivor of Japanese-American Internment Camp and Son Will Speak at Film Screening on July 13

 

Will history repeat itself as the USA faces an immigration crisis and incarcerates immigrants in camps?

Voices of experience will speak on the painful cost paid by their own families after a similar confinement of Japanese Americans in Arkansas during World War II.

Relocation, Arkansas: Aftermath of Incarceration will show on July 13 at 3:00 pm in the Ron Robinson Theater at Library Square. A panel discussion after the screening will feature the filmmaker and several participants from the film, one of whom is a survivor of the internment camp and others who are descendants of survivors. Admission is free.

The film is a powerful testimony to the ongoing effects of the incarceration of Japanese Americans during WWII. The psychological consequences continue to this day, not only for those confined in the camps, but also for their descendants. Relocation, Arkansas was produced and directed by Vivienne “Lie” Schiffer, a native of Rohwer.

The film screening accompanies the opening of  “A Matter of Mind and Heart,” the fourth exhibition of a Butler Center series on the Japanese internment camps at Rohwer, Arkansas.

 

The film touches directly on current ethical debates in the news.  The New York Times reported on June 22, 2018 that the Department of Health and Human Services was looking for a site for a new detainment camp to contain Latino children who have crossed the south border of the United States.  Reports said the federal agency was considering placing that new camp in Arkansas, only a few miles from the original Rohwer internment camp.

George Takei, beloved Star Trek actor who spent his youth in the Rohwer internment camp, posted the following Twitter comment:

“Just heard that they are considering a detainment center for immigrant children just two miles from where I spent my childhood behind barbed wire in a camp in Rohwer, Arkansas. I have no words.”

The screening is co-sponsored by the Clinton School for Public Service and the Arkansas Psychological Association.

Ron Robinson Theater at Library Square

(on the campus of the CALS Main Library in downtown Little Rock)

100 River Market Avenue

Little Rock, AR 72201

For more information, call 501-320-5715

“This kind of thing doesn’t just end with the person who was in the camp.” Ruth Takemoto McInroy